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Japanese Music Festival – Music Review

Japanese Music

Heater and sh * t muggier in the subway, 3 musicians (ruins YoshidaTatsuya, Tsuyama Atsushi and Kawabata Makoto Acid Mothers Temple) 7 shape units !! A Capella, comic form free progressive progressive troubadour, cosmic psychedelia. The smell is horrible, and she went through an underground night of music that should not be forgotten.

These three virtuosos continue to amaze. Out of the plane, they came in a maniac style to offer a multitude of good sweaty feelings with humor, sadness and mind blowing rock. I had never seen Yoshida drum and when he did his solo ruins, he made me tremble. His hand trap, his ability to change the type of music, use a sampler made me so happy that I was there as a witness. His powerful drum was too incredible.

I am looking forward to seeing the final SWT AMT, with this type of attack and I will not disappoint. All sets were fairly short, including the set of AMT steel cables and played at a faster rate than most of their other series like Melite Paradise or Cosmic Inferno. Pink Lady Lemonade has been a staple of the AMT system for a while and I was happy to hear the drone of the Makotos guitar at a record pace. It was a brief introduction to the melody, then quickly into psychadelie then almost as quickly as it was in the short, smiling, mellow melody. The musicians were on stage in a sauna and the crowd had worse. It was full and sweaty and hot like the old Angels.

Other acts consisted of combinations of the three gurus in a trio of singers gathered around a microphone, a set of stupid Tsuyama and Yoshida touch everyday objects with contact microphones (including the song zipper, a toothbrush, a scissors a Music and drinking songs) famous covers, and a very beautiful work of Makoto drone unmanned environment.

These guys have done this tour 9 shows on a world plane ticket and every stop was a 24 hour break. All we wanted to drink, but were staying at a hotel near LAX to catch an early flight for their first show in Mexico City.

Here is a list of groups and their descriptions that played at the festival:

– ZUBI Zuva X (Yoshida / Tsuyama / Kawabata)

Poly-rhythmic unaccompanied eccentric mounting. It ranges from Gregorian chant to ethnic music, makes unconditional gestures, to a large extent the use of irregular rhythms and polyrhythmia. All kinds of ideas and aberrant musicality dump the image of a capella. His words meaningless and totally desperate performances throw the audience into the abyss of laughter and admiration. It is the concept
“Orientation sing” without meaning.

– AKATEN (Tsuyama / Yoshida)

Formed in 1995 with the word “irresponsibleness” and “perfuncediness”. They easily release the traditional seriousness of art. The use of products of daily use as
Scissors, toothbrush, zipper, camera and plastic bottle like percussions, and shouting their brand names and again as the “songs”, the show is in the concept of low cost and maximum sound effect. AKATEN is the experimental punk problem-solving band that provides simple and economical daily sound images.

– ruins alone (Yoshida)

Ruins is the pioneer of Drum & Bass duo. Melodies are complicated and mysterious, and the songs are sung in the language of their invention. It’s a great set, wild, strong, fast, strong and powerful that there never seems to be two players. Since the last bassist left Yoshida still looking for a bass player and currently plays as RUINAS SOL. To play songs with the RUINAS bass sampling. This time, Yoshida play songs of Koenji Hyakkei and Korekyojinn as well.

– Zoffy (Tsuyama / Kawabata)

Formed in 1998. Zoffy’s music emphasizes both the deep musical knowledge of the members with their improvised performances of troubadour music and the European tradition and also their deep love for rock through their destructive covers of classic rock songs, which already It does not look anything like Zoffy. The group believes that humor is essential in music, and its unprecedented performance depart far from the
box. It’s the last Thule that rock music has been for a long time

– shrinp WARK (Kawabata / Yoshida)

A new improvisation duo Yoshida from Ruins and Kawabata AMT. This inspired group heat and group name taken from their song “Shrink Wrap”. The sound of the cosmic chemical reaction encompassing a multidimensional chaos based on the principles of minimalism, the uncontrolled deformation of the time axis and the accelerated time particle rotation.

– ACID Mothers Temple SWR (Kawabata / Tsuyama / Yoshida)

The acid mothers temple was quickly considered as the largest and most extreme psychedelic group in the world. The releases have appeared on labels around the world at an incredible rate, and the magnificence of their live performances is already suspected as a legend. ROE is the most powerful fighting training of the AMT family. With Tsuyama and Kawabata from the original AMT and Yoshida from the ruins. Its brutally piercing sound will pulverize legions of the world from groups of psychologists.

– SEIKAZOKU (Kawabata / Tsuyama / Yoshida)

Formed in 1996. The group’s expansive musicality,
It refers to casually progressive and classical rock, ethnic music, jazz and
Contemporary composition, it is compatible with impressive backgrounds of three members and the depth of their musical knowledge. Improvised music for the heresy of the Holy Trinity, covering the whole range of ethnic and electric instruments, primitive stupidity, suspicious stench of medieval alchemy, the pure power of early rock music, all rented with a pinch of cosmic inconsistency.

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